Rating: 3 stars out of 5 This is the fourth book in the series focusing on Ellis and his crush on one of his customers from the firing range named Bryndon. Previously Ellis seemed enamored with Clark; there is definitely still hero worship involved, complicated by doing BDSM scenes with Clark and his husband, but […]
Rating: 3.75 stars out of 5 This series takes place in the same town, though each book is by a different author. Jagger and Preston meet on the first day of junior year after Preston gets punished for flunking out of several private schools and sent to a rough Boston public school. Although Jagger is […]
Rating: 4.5 stars out of 5 The first part of the book shows little snippets in the life of three different boys. During a traumatic event, Kaegan discovers Christmas. Over time, Inverkillen, in the Scottish Highlands, becomes his magical place where it is eternal Christmas. As his life becomes more and more unpleasant due to […]
I would rate this 4.75 stars.
First off, this was a really well done science fiction novel. I think if you buy into the ideas of: AI becoming a sentient autonomous being, bio mechanical technology becoming something that a human (or potentially AI) could be born with, and the idea of terraforming within a starship, then there is everything to enjoy and delight in within this book. The story carried me along and I went willingly. This book takes place over a thirty year span of time, skipping over the surface of three time periods. One of the reasons I think it is successful is because it was clever about contained world-building with a small cast for greater emotional impact. Each character is rounded out through flashbacks, memories, dialogue and actions enough so that the reader gets a sense of person. Because the joys and tragedies are shared, I became invested in each person and their wellbeing. Each location is described enough for the reader to picture it, without it being overwhelming or an info dump.
During the first third of the book, the focus is on Colin, Jackson, and Ana, on a ship called the Dressler. This sets the stage for everything that is to come after. Colin is a hardworking, compassionate, competent captain who responds well to emergencies and tries to do his best for his crew. Jackson is the ship’s engineer who is tested in ways he never imagined. Ana is the expert in ship genetics. It is she who created three seed ships to try and save humanity. In this way, they operate as the human heart, soul, and mind of the book. Saving Lex, the Dressler ship-mind, and allowing it to eat the asteroid Ariadne thus begins the creation of mankind’s first interstellar ship is their legacy.
Ten years later, the second third of the book focuses on the new world-ship Ariadne, that is called Forever. Colin is now Director, Ana is on board after being released from prison, and Jackson is somewhere else entirely. Colin has ensured a diverse and inclusive settlement. The second and third seed worlds are underway, but the reader is left wondering about them. Jackson’s son Aaron becomes the focus of this part of the story with his friends, Devon and Keera. The dangers of political and corporate espionage, and religious fantatical saboteurs are all getting worse as the wars on Earth continue to destroy the planet. Lex is also a danger as a mind grown without parents. Can anyone trust the world-mind? Who taught it right from wrong? This issue is addressed in a unique way.
The third part of this story finally shows what Earth has become and highlights Eddie and Davian as they become refugees trying to reach Transfer Station and Forever. Colin is now retired, married to Trip, and has a berry farm, but is being called up to help with the refugees. Aaron is the new Director. There is now a generation of kids raised in space, who have never been on Earth. Aaron’s daughter Andy has also grown up in the virtual reality of the world-mind. Some fear her power and very few people know the AIs have become their own autonomous personalities that think and feel.
For me, the book shines in all the micro worlds: the ships, the settled part of Forever, the part still terraforming, the virtual reality of Lex’s mind, the space station, the cave on Earth, the desperate flight of a small two man ship…the author has created great texture interweaving all of these parts together to make a complex whole. The book is psychologically interesting, philosophically challenging, biologically and technologically fascinating with enough details to picture the surroundings, without overwhelming the reader. This has the perfect amount of world-building for me. Even with all that, the human element is never forgotten; the characters are engaging and written about in a way that made me care about what happens to them. Although sad, it’s realistic that some will want power and control. Being in the mind of someone like that is difficult, but I am pleased that the author added those viewpoints. While there are relationships of all varieties here, be aware this is science fiction rather than romance and all sex is fade to black. Many times, in answer to the vast majority of books being caucasian heteronormative, an author’s response is to make everyone in their book be queer, or people of color, or some underrepresented group. In this case, the author chose to make everyone diverse, represented, and not just equal, but equitable as much as possible. For me, the book ends on both a sad and hopeful note and the future of humanity is in the stars.
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I would rate this book 3.25 stars.
This is the first book in a trilogy and as such is the introduction to the romance of Sam and Thomas. It’s not a cliffhanger, so the reader can just read this and be content, or read the second book coming out soon for a continuation of their relationship. When Sam’s brother James gets murdered in New York, the family sends Sam to take care of his apartment and send back his things. Both his mother and older brother Bowie put a lot of unreasonable pressure on Sam to also find James’s killer. This is supposed to be a suspense element, but it’s not the focus and stays on the back burner. When Sam meets his brother’s lover, Thomas, neither of them are expecting to need each other. Thomas is missing James and feeling the pull to help Sam, but he’s smart enough to worry the grief could lead to something unhealthy.
Sam is floundering and needs direction; he’s also too busy trying to please everyone else, he can’t seem to get his own life together. They were getting to know each other, and then suddenly Thomas is using what he’s learned about human psychology as a dom, to help Sam. I felt the transition could have been smoother, especially the part about Thomas finding out Sam is also gay. The way Sam learns about his brother James being a sub was an easy way for Sam to understand who Thomas is, who James was. The book seemed to flounder with introducing some of James’s friends, coworkers, and neighbors. No one is fleshed out, and I assume these are meant to give the reader suspects to James’s murderer? There were more jarring moments like his job interview when all of the sudden Angel, someone he met at the BDSM club, is also at the biker bar and helps him home. This seems like too huge coincidence. The main point here seems to be BDSM is healthier than bar fights. This all happens a bit too fast for me, there is still an element of Thomas taking advantage of Sam, his naivete, or even them using each other to escape processing their shared grief.
James and Sam are somewhat alike, they were brothers, but they are also different enough and those differences are never forgotten. The writing here is deftly handled so James doesn’t feel forgotten, but they are not constantly compared–rather Thomas struggles to learn how to be what Sam needs. For the subject matter, there is surprisingly low angst and guilt which seems at odds with the way the book was set up. Sam has always felt he was was supposed to stay in Emory, help with the ranch, have babies, and die there. Yet he suddenly throws off the expectations of his family quite easily and dives into a relationship with his brother’s lover. It’s good that Tommy is not an all seeing, all knowing dom. I like that he makes mistakes and recognizes them. I like that he realizes that where James fit into what he wanted, his style, Sam is much for challenging, taking him out of his comfort zone. They build their relationship and trust scene by scene, yet this is a bit messy–not just the emotions of the characters, but the writing. The sex scenes are always hot, it’s moving the characters around to get them there that seems to not flow well.
I like both these characters, so I’m a bit frustrated that the whole book isn’t as smooth as the parts are or I would have rated it much higher. With more time and effort, this could have had so much more depth, but maybe that’s just what I wanted and not where the authors wanted to take it. I’d like to see more of Sam and James, but this was all too easy, so I’d like to see more about the conflict with Sam’s family. Also, there is nothing about Thomas’s family at all. There is a little intrigue about James having different characters or roles he fulfilled for different people; I definitely would like to see more about that. For right now, James doesn’t seem like a real person, so I don’t care who killed him. I hope the second book takes more time to draw the audience into that part of the plot.
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Rating: 4 stars out of 5 The main characters are a college student named Andrew, who is trying to figure out what he wants to do with his life, and a mysterious man named Caius, whom he keeps dreaming about after spending the night in a haunted house. I think the blurb tells you everything […]
I would rate this 4 stars.
I thought this was a standalone, but apparently it would have been helpful to read the Lord of White Hell and the Champion of the Scarlet Wolf duologies first. The world-building is amazingly detailed, yet I still feel like I might have had a rounder view of this universe if I read those first, as there are several characters from those books included in this one and they are written in linear time. Things about the court intrigues, neighboring countries, power struggles between church and state, all the differnet types of religious beliefs, and the use of magic obviously all have more background than I was privy to here. While the plot is always easy to follow, the explanations about the magic are not–until the second half. All of the sudden the magic is explained, the emotional connection I wanted kicks in, and the book really comes alive, which saved this story for me. I am left wondering if maybe I would have felt more emotionally attached from the beginning if I had read the other four books? The writing style for the first half is removed, like an observer focused on the main plot and moving about chess pieces. While there is clever dialogue and witty banter, the author never lets them succumb to passion or deeper emotions that the reader can actually sit with and let breathe. Then again, maybe that is because of the constant explanations of past events, but recaps are entirely necessary for this to work.
The story is told from four points of view: Narsi, Atreau, Ariz, and Fedeles. Narsi is a great character, a genuinely kind, clever, brave and warmhearted physician. Atreau the charming rake and novelist, but that deflects from what he is really doing as a spymaster. Ariz is the tragic tale, living under compulsion and being made to do things he doesn’t want to do. Fedeles as the Duke of Rauma is treading a fine line of facing his fears and past traumas to become the hero everyone needs. Although these main leads are all male, there are many strong females characters in this book and the cast is large and diverse. Clara and Oasia are the most intriguing, rich, intelligence, three dimensional female roles I’ve read in secondary characters in a long time. Everyone has various shades of grey as many are not whom they seem on the surface, even Narsi takes to subterfuge with ease. The characters are what bring this to life–why I even cared about all the plots and subplots. Honestly though, more than rooting for them individually, I was rooting for good to win over evil and for anyone to have even a dash of happiness. Just like real life, there is racism, sexism, homophobia, religious zeal, and xenophobia. In the end, it’s about averting a war. The corruption, greed, torture, assassinations, servitude…they are what you would expect from the rich and powerful. There is nothing fast about this book; it’s all slowly built brick by brick. That’s not to say that no action happens, but the pacing is slowed by the world-building–even though this all takes place in a week, it feels much longer. Suddenly everything happens at once and it’s over.
If you are wanting an m/m romance, this may not hold your interest. If you want a complex, painstakingly detailed, queer renaissance type high fantasy novel with a tangle of multiple plots and slow burn, fairly chaste romantic pairings, then you might like to try this book. This is also going to be a duology, so be aware this doesn’t end here. Right now I am frustrated on many levels. While I acknowledge the first half was neccessary, I didn’t love it and was getting bored. After the second half, I am completely sucked in and want to read the next book right now this minute. I am also sad that reading this might have ruined the four previous books for me, because I will know what happens as I believe this duology is the end of the series.
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Rating: 4.75 stars out of 5 The blurb says this is like Firefly meets Wagon Train and that is accurate. This is the best world-building I have read in a long time that wasn’t contained in a bubble: meaning the reader isn’t just given enough to advance the plot at that moment, and that not […]
This was one difficult for me to rate. I think I may have rated The Amulet Stone by Mason Thomas too low. If I had rated that one higher, I would likely have rated this one higher too. I been reading a lot of fantasy this year, so it’s difficult not to compare them all even though they are all very different.
Rating: 4.25 stars out of 5 When King Edmund dies, Reynold becomes king. After several decades of peace and prosperity, this starts a cascade of events that will see the kingdom of Llangard in a more precarious position, and many uncertain who is friend or foe. Reynold’s cousin Tris is well respected at the castle, […]
I would rate this 3.75 stars.
This is the third book in the Stars From Peril series. Although there is mention of Jaxon Powers and Landry Bishop from book one and two, this works well as a standalone. Cal Walters is a 23 year old artist who knows the right people. His insecurities about whether people buy his art because he’s talented or because he’s trendy due to his friends, has given him a little chip on his shoulder. Due to a bet with his friend Merc, he has to go on three blind dates. Third time’s a charm when he meets 28 year old Teofilo Vabriga-Kastav, playboy prince of the tiny nation of Porvunia and passionate art lover. Teo has insecurities of his own, never knowing if people like him for himself, or just want to be with him because of his family. He just doesn’t tell Cal he’s a prince…
The meet cute is actually, cute. I wasn’t sure about either character at first–Cal is standoffish and Teo is a bit too smooth–but their facades crumble fairly quickly. Seeing most of the book from Cal’s POV, at first he’s attracted to Teo, but not quit sure he likes him. Teo’s POV is used more sparingly to great affect. Seeing how Teo describes Cal and how Cal makes him feel hooked me into the story. He may be privileged and a bit spoiled, but he is actually a nice person and has a sincerity about him that’s surprising. Cal’s starting to develop that cynicism of living in California and being in the wealthy art scene, but he’s just a kid from Nebraska trying to protect himself. When Teo creates a painting competition in Porvunia in part to lure Cal there, they give in to their passions. Their intimate time is sexy, fun, and filled with laughter. Cal kids himself this is a one night stand, but they are already too taken with each other and he knows it’s more. Lying to yourself is difficult if you’re an honest person by nature. The dynamics here are fascinating as Cal’s in charge, even though he’s the commoner and younger. When his anxiety or fear gets the better of him in various circumstances, it’s Teo who steps in to help him relax or sort things out. They fit.
Teo’s family, his bodyguards, Cal’s friend Merc, Cal’s Gram, and other characters from the small town of Peril help move this along, but no one does more than Anita, his guide in the capital city of Velenik. She makes Porvunia feel more real with tours filled with fun historical stories. She is also loyal and proves herself to be truly caring of the prince and her royal family. This book is full of charming little details, whether of a foreign country, or of the Nebraska landscape, a thriving city or a small rural town. Still, it’s Nebraska that burns more brightly here when Con shares his home and all the people he grew up with, who have their own stories.
This really works through the opposites of being working class vs wealthy, an only child vs large family and having no father and absentee mother vs hundreds of years of extended family. Yet, their love of the arts united them. They have both had the benefit of fortunate fate and grew up having very little privacy albeit in very different fish bowls. When an emergency tears them apart, it would be easy to let life get in the way, to let it move them in different directions, but Teo is not having it. This is the point where, as farfetched as the story seems, it gets even more farfetched. For instance, Teo getting rid of his bodyguards when he should be worried about being kidnapped for ransom, or his rushing in and thinking he knows what a small town needs to “save” it. There is plenty of foreshadowing here to show the reader the way through. It’s sweet, and no matter how unlikely, I wanted it to happen just like that even if I didn’t know it at the time.
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