I would rate this 4.5 stars.
Grant is so unhappy being a worker drone in Seattle, he burns his whole life down six months after his divorce. His defenses are so high, the only one he seems to lower them for is his nephew Kai. When he ends up camping rough on Vashon Island to try and figure out his life, he meets an artist named Oliver who challenges him. Sparks fly as Oliver likes irritating Grant with a strange arrangement meant to get him back on his feet. Oliver has demons of his own and stripping Grant bare exposes his own defense mechanisms. Both of them will need to battle their own and each other’s walls if they are to have a chance at living happily ever after.
Grant ignores unpleasant realities. Yet, he has a big heart for those who accept him as he is instead of trying to change him. The tweens (his nephew Kai and his friends Jill, Clover, Penelope, and Abelino) are there as the catalysts to show who he is behind his anger, fear, and desperation to find himself for himself, instead of always bending to fit the will of others. Some might say, where are their parents? But, I grew up on an island and ran wild for hours, all day and night in the summer and no one knew where I was or who I was with, so this made me think of my own adventures. How wonderful they have someone to treat them like the individual people they are. One of Grant’s lessons is that sometimes order and boundaries are needed, that their are times they are appropriate and should be respected; another is that if the rules he lives by don’t serve him, it’s time to make up new rules.
Oliver flouts the idea that you can’t help people who don’t want to be helped. I’m glad Oliver had a come to Jesus moment about Maslow’s Hierarchy of Needs, but it didn’t make him more likeable for me at that moment. With his artistic nature, his fantasies often overcome or overwrite his reality…but people who are lonely or traumatized often live in their head. His circle (Talia, Clementine, Freddy) is only people who will respect his boundaries and not expect more from him. Freddie, Oliver’s friend with benefits for seventeen years, is a deceptively complex look into Oliver’s world as he has ordered it. I liked Oliver the most when his art therapy ends up saving him from his avoidance techniques.
Being creatives, this is a wild ride with characters that explore the absurdity of their inner worlds. Memories, nostalgia, how the past shapes our reality, and thus the present, is what is battled here. This is what it looks like when people take a self inventory. So many stories focus on violence or sexual abuse as the only thing that wounds people; you will not find that here. Having said that, I was not enamored with the stalking for love trope. In the end, these two wounded men fit like puzzle pieces–their strengths and weaknesses merging to create a stronger whole. My mind was a swirl of grief and enchantment, painted with vivid art and inner imagery. The ending left me touched, breathless, and happy knowing in all the world Grant and Oliver found the one special person who gets them, crazy and all.
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